Not a clip. A completely automated production — written, cast, storyboarded, narrated, scored, mixed and assembled.
Written, cast, storyboarded, narrated, scored, mixed and assembled — the whole job, not one generated shot you then have to build a film around.
A brand commercial, a calm nature piece, an explainer, a cinematic documentary. The genre changes how it writes, shoots, paces and scores.
Stop it at the script, the cast or the storyboard and say what you want changed — it takes your note and carries on from there. Credits stay held while it waits, so nothing spends until you say go.
Length, shape, genre, voices, who writes it and which camera shoots it — set the production up the way you want it before you submit a word. Every control already has an answer chosen, so changing nothing still gets you a finished film.
Follow it stage by stage while it runs: the script, the reference sheet, the key frames, the narration, the score, the cut. Each one reports what it is doing, how long it took and what it has spent — something to watch rather than a spinner.
Stop the production at a cut point and give it notes before it moves on. Tick the one frame you want redrawn and say what is wrong with it. Everything you already approved stays exactly as it was, and nothing spends while it waits for you.
When it finishes, the files are simply there: the MP4, a clean master with no subtitles burned in, the separated music and narration tracks, and caption files in every language you asked for. Ready to use, with no export step.
Not projections. Every figure here is counted from what is wired up and working today, and moves on its own as the product grows.
79voices
Cast a narrator, or a different voice for every character on screen, across three studios.
34languages
Burn subtitles into the picture or take them as separate files, translated for each one.
30AI models
Choose who writes the film, who shoots it and who reviews it — or let the engine decide.
10genres
Each one changes how it writes, shoots, paces and scores, not merely how the picture looks.
10minutes
Up to 10 minutes of finished video in any genre, customized to your settings.
6caption styles
From a whole line at a time down to a single word, in two type styles and three sizes.
5files
The film, a copy without subtitles burned in, and the music and narration as separate stems.
3cut points
Places it stops and takes your note before carrying on. Nothing spends while it waits.
Your characters speak on camera in a voice you chose, and they sound like themselves in every shot.
Subtitles land on the word, every time, in six styles. Burned into the film or handed to you as separate files, in as many languages as you want.
Ask for something factual and the figures are researched and cited before a word of script is written — so the narrator and the chart are telling you the same thing.
Then they are drawn by a real charting library rather than imagined by an image model, which is why they come out clean and readable every single time.
A genre here isn’t a filter. It’s a full specification — the medium, the pacing, how long a shot holds, whether anyone speaks, how present the score is, whether there are sound effects at all — and every stage of the production is marked against it. Pick one, or let it choose from your prompt.
This is the difference between a film and a folder of clips. A tool that makes each shot in isolation gives you ten plausible seconds ten times over, with nothing tying them together. Committing to a genre before the first word is written is what makes shot nine belong with shot one.
What changes across plans is how long a film you can commission, how much of the process you get to interrupt, how much say you have over which models make it, and whether characters can speak on camera.
Every line below is read from the plan the product actually enforces, so this page cannot promise something the engine will refuse.
As detailed as you like, and no more. The engine does the creative direction — it decides the structure, the look, the cast, the shots and the score — so one sentence genuinely works. If you have specifics in mind, write them and they are honoured instead.
Ten genres, and the choice changes the film rather than just its filter: a product commercial, a calm nature piece, an explainer, a cinematic documentary, a social short, and more. Pick one, let it choose, or describe a style of your own and it will write to that.
No — and we don't resell access to anyone else's either. We direct them. A single film is written, drawn, filmed, voiced and scored by different models from several providers, chosen shot by shot and swapped whenever we measure a better one. That coordination is what you're buying; the models are components inside it, and on Pro and Studio you can choose which one fills each role.
Yes — that is what the commercial genres are for. You get the finished MP4 and the separated audio, and you are free to use them commercially. Do bear in mind the engine writes the words, so read the script at the cut point before it shoots.
Yes. Your files carry a standard marker saying they were made with AI, which is what platforms and the incoming EU rules ask for, so you can answer their disclosure question honestly rather than guessing. The marker is metadata — nothing is stamped across the picture.
Stop it at a cut point and say so. A revision edits the existing script or redraws the one frame you named — it does not start again from your prompt, so everything you already approved survives.
Yes. A production reserves what it might cost and is charged what it actually cost; the difference returns to your balance the moment each stage finishes. Stop a run halfway and you keep the rest.
Describe it in a sentence. Read the script before anything is drawn. Stop it whenever you like.
Films are made by machines and reviewed by you.